3 Easy Methods How to Vectorize an Image in Illustrator

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In this article I will show you how to vectorize an image in Illustrator. Before we start, it is important to understand what a vector and a raster image are and why you need to vectorize.

The main difference between vectors and raster images is that no matter how much you stretch or blow up a vector image, the quality of your artwork will not change.

Raster images, on the other hand, no matter how high quality they are, will continuously lose quality as you increase the size of the image. If you want to learn how to use basic shapes to draw, check out our last post.

Methods How to vectorize an image in Illustrator

1. Method 1: Image Trace Simple Files
2. Method 2: Image Trace Complex Files
3. Method 3: Pen Tool 

Method 1: Image Trace Simple Files

Image trace is the easiest way you can do this. Below are steps you can follow when working with a simple image and a complex one.

Step 1: Go to File > Open and navigate to where you have saved the Amazon logo file.

Step 2: Select the logo using the selection tool (V) by clicking on it.

Step 3: On the top menu, click the dropdown next to image trace and choose the number of colors as per your file.

Step 4: Hit Expand on the top menu.

Step 5: If you do not need the background color, click on it with the direct selection tool and delete it.

Method 2: Image Trace Complex Files

If you are using a complex image, you will need to choose specific image trace options as per your needs. Below are the steps and options.

Step 1: Go to File > Open and navigate to where you have saved the image file.

Step 2: Crop the area of the image you want, either using the clipping mask option or the crop tool.

Step 3: Select the image using the selection tool (V).

Step 4: On the top menu, click the dropdown next to “Image Trace” and choose the image trace preset you want.

Step 5: Hit Expand on the top menu.

Step 6: After that, you can ungroup, select the same colors, and delete them.

Method 3: Vectorize using the Pen Tool

Using the pen tool involves drawing the image using the pen tool options. Below is how to do it.

Step 1: Go to File > Open and choose the file.

Step 2: Click on the image and slightly reduce the opacity or transparency.

Step 3: Click on the image with the selection tool to select it.

Step 4: With the image selected, go to Object > Lock selection or Control+2 on PC and Command+2 on Mac.

Step 5: Choose the pen tool (shortcut P) and start drawing the different parts.

Step 6: Fill different areas with color using the eyedropper tool (i).

Step 7: Go to Object > Lock > Unlock All or Control+Alt+2 to unlock all.

How to save vector files in Illustrator

Once done, you need to save the files in a way that they remain vectorized. This will be determined by the format you save your files as. Go to File > Save As and choose the format.

To maintain as vectors, save as PDF, AI, EPS, or SVG format. If you export files as PNG, JPEG, or PSD format, they will be saved as rasterized files. Check out How to create a Silhouette in 3 easy ways.

Steps How To Convert an image to a vector in Illustrator

• Step 1: Create a New Document
• Step 2: Import and Lock the Sketch
• Step 3: Enable Smart Guides and Draw the Body
• Step 4: Create the Tail, Head, and Ears
• Step 5: Add Facial Features
• Step 6: Align and Adjust Shapes
• Step 7: Apply Color and Stroke
• Step 8: Merge and Organize

Step 1: Create a new document and import your sketch.

To get started, take a clear photo or scan of your hand-drawn fox sketch or any other sketch.

1. Open Adobe Illustrator and create a new document.
2. Drag and drop the image onto your artboard or use File > Place to insert it.
3. Resize the sketch to fit your canvas.
4. Open the Layers panel. Select your sketch layer and double-click it to open the layer options.
5. Check “Template” and “Dim Images to 50%”—this makes the layer and the sketch less distracting.
6. Name the layer something obvious like “Sketch Template.”

Step 2: Import and Lock the Sketch

Place your hand-drawn sketch (File > Place), reduce opacity, and lock it as a template layer.

Step 3: Enable Smart Guides and Draw the Body

Use the Rounded Rectangle Tool to create the fox’s curled body shape. Turn on Smart Guides (View > Smart Guides) for precise snapping. Start drawing. You can replicate this by combining a rounded rectangle with a well-placed arc or ellipse.

Start with the Rectangle Tool and give it heavily rounded corners using the corner radius handles. Rotate the rectangle slightly to match your sketch. Then, use the Arc Tool to create a tail shape that curls around the body.

Adjust stroke thickness and fill color or gradient so you can differentiate parts easily. Don’t worry about perfection right now—just focus on matching the general silhouette of the fox. Later, you’ll tweak and refine.

Use the Pathfinder Tool to merge overlapping shapes into one smooth body if needed. Creating the head of your stylized fox is where you start to breathe real life into your illustration. This is where those big, pointed ears and cute snouts come into play. 

The key is to stick with simple shapes but arrange and adjust them in a way that communicates personality and charm.

Start by drawing a circle or ellipse for the head using the Ellipse Tool (L). Position it above the fox’s body, overlapping slightly. If your sketch has the head tilted or nestled into the tail, rotate the ellipse to match the contour. Use the Direct Selection Tool (A) to subtly reshape the ellipse—maybe pull down the top a bit to give the illusion of the fox resting peacefully.

Now, for the ears. Use the Polygon Tool, click anywhere on the canvas, and set the number of sides to 3 to create a triangle. Resize and rotate it to position it correctly above the head. Duplicate it for the second ear, flip it horizontally, and adjust the angle slightly so they’re not perfectly symmetrical—this creates a more natural, sleepy look.

Once your ears are in place, select both and Send to Back (Right-click > Arrange > Send to Back) so they appear behind the head shape. This creates a realistic overlap and layering that mimics depth without complicated shading.

Optional but recommended: Add small inner ears by duplicating the triangles, scaling them down, and changing the fill color to a lighter shade. This adds polish and contrast.

Step 4: Create the Tail with Pathfinder

Use the Arc Tool or Ellipse Tool (L) to draw a curved tail wrapping around the body. Adjust curves with the Direct Selection Tool (A) for a fluffy, natural look. Add a white tip by layering a small shape filled with white.

Select both the shapes. Go to Window>Pathfinder. Choose the second option, Minus Front.

Step 5: Add Facial Features

Use the Ellipse and Line tools to draw eyes, a nose, and whiskers. Now that the basic shapes are in place, it’s time to give them that professional polish. The difference between a rough draft and a clean illustration often lies in how smooth the curves are. Illustrator’s Direct Selection Tool (A) allows you to tweak individual anchor points and their handles.

Step 6: Align and Adjust Shapes

Use the Selection Tool to move and rotate; use the Direct Selection Tool to tweak anchor points. Click on any shape, and then click on a specific anchor point.

Small direction handles will appear—drag them outward or inward to round out sharp corners or adjust angles. This is especially useful for the tail and ears, which should feel soft and flowing rather than stiff.

Use the Convert Anchor Point Tool (Shift + C) if you need to change a straight corner to a smooth curve or vice versa. This flexibility helps you fine-tune the shapes without redrawing them entirely.

Refining anchor points is where your fox illustration begins to gain personality. Maybe you want a more droopy eye, a rounder snout, or a curlier tail—this is where those tweaks happen.

Step 7: Apply Color and Stroke

Use a limited palette of warm, earthy tones like oranges, creams, and browns for a cozy, natural look. Fill the body with medium to deep orange and add lighter cream accents to areas like the inner ears and the tail tip for depth. To fill shapes, select them and press Shift + X to toggle fill and stroke, or use the Fill and Stroke boxes in the toolbar.

Set stroke weight to 2 pt using the Stroke panel (Window > Stroke). Choose rounded caps and corners for softer lines. To control stroke scaling when resizing, go to Illustrator > Preferences > General (Mac) or Edit > Preferences > General (Windows), then check or uncheck Scale Strokes & Effects depending on whether you want strokes to resize with your artwork.

Add depth by layering fills and strokes. For shading, duplicate shapes (Ctrl/Cmd + C, then Ctrl/Cmd + F to paste in front), darken fills slightly, and offset by a few pixels. Adjust opacity in the Transparency panel (Window > Transparency).

For subtle blur effects, select the shape and go to Effect > Blur > Gaussian Blur, then adjust the radius—but use this sparingly to keep the design clean.

Step 8: Merge and Organize Your Illustration

To combine shapes, use the Pathfinder panel (Window > Pathfinder) or the Shape Builder tool (Shift + M). These tools let you unite, subtract, or intersect shapes to create clean, unified forms.

As your illustration grows detailed, managing layering and arrangement is key. Use the Layers panel (F7) to organize parts like the head, body, tail, and details on separate layers. Lock layers you’re not working on with Ctrl + 2 to avoid accidental edits, and unlock all with Ctrl + Alt + 2.

Control stacking order with these shortcuts:

• Bring to Front: Ctrl + Shift + ]
• Send to Back: Ctrl + Shift + [
• Bring Forward (one step): Ctrl + ]
• Send Backward (one step): Ctrl + [

These help you place elements correctly, like putting ears behind the head or a tail in front. Group related objects using Ctrl + G for easier management. Name your layers clearly (e.g., “Tail,” “Head”) to find them quickly later.

To temporarily hide objects cluttering your workspace, use Ctrl + 3 to hide and Ctrl + Alt + 3 to show all hidden objects. By merging shapes carefully and organizing layers, locking and hiding elements as needed, you keep your workflow smooth and your artwork clean.

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